Read also:
- Boss DS-1 Distortion
- Best distortion pedals for metal
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- Revv G3 Pedal Distortion
- Proco Rat 2 Distortion Pedal
- Boss ST-2 Power Stack
- Boss OS-2 Distortion
- Boss MT-2 Metal Zone
- Boss ML-2 Metal Core Distortion Pedal
- Boss MD-2 Mega Distortion
- Boss BD-2 Blues Driver
- Octonaut Hyperdrive
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- Boss Distortion DS-2
- Green Russian Big Muff Distortion
- Electro-Harmonix Nano Big Muff Pi
Rating: ⭐⭐⭐⭐⭐
Best Distortion Pedal
Distortion pedal is one of the most popular gears for an electric guitar. It has trully revolutionized popular music with its sound, spawing a plethora of new heavy genres.
For more detailed information on each pedal, check out the reviews below.
Boss DS-1 — Bear Bone Experience
Design
The pedal features a rather standard boxy design in orange color. On the sides, there are mono input and output jacks. On the front panel, you will find three tone control knobs and a footswitch. There is also an LED indicating a working state.
Features
Since there are only two jacks, the pedal does not support stereo sound. But the device actually has a good sound dynamic, being able to produce both soft and hard tones and everything in between. Three control knobs — Level, Tone, and Dist — allow the user to control the volume, tone, and amount of distortion respectively.
TC Electronic Dark Matter — A Solid Choice
Design
Here we have a more strict design variant with the black metal casing. Just like with the previous one, here we have only mono input and output jacks. The front greets the user with the true bypass footswitch and four tone control knobs.
Features
TC Electronic only supports mono, due to the single audio jacks. True bypass guarantees the clean tone of the guitar when the pedal isn’t used, and the tone itself can be adjusted with four knobs — Gain, Level, Bass, and Treble. A voice switch allows for a shift in bass response.
Mesa Boogie THROTTLE BOX EQ — Five-Band Treatment
Design
This one stands out from the competition with its shape and elegant build. With input and output jacks in their regular places, the pedal boasts an abundance of control on the front panel. The casing is black with a glossy finish on the front and textured sides.
Features
The pedal offers a lot of options for sound control. There are four knobs that let the user adjust high and low levels, tone, and gain. There is also a five-band EQ. The footswitch is here for changing the distortion modes to provide extra tonal tenacity when playing live, while another one allows switching between Hi and LO tones for more versatility.
Wampler Sovereign V2 — Versatility in a Small Form-Factor
Design
That pedal features a standard metal build in grey. On the top, there are two input and output jacks and a power supply connector. The front panel greets the user with a single footswitch, four sound control knobs, and two distortion mode switches.
Features
To tweak the sound the user is given four knobs: Volume knob adjusts the level of effect that the pedal outputs; Mid Contour tweaks the mids of the tone; Tone changes the high frequencies of the effect; Gain controls the level of the distortion itself. The two switches allow the user to change his sound from vintage tunes to something more modern, as well as switch between boost and gain distortion modes.
Pro Co RAT2 — Minimalistic Option
Design
RAT 2 offers its user a compact build in black color with not a lot going on. It has mono jacks on the top and a single footswitch on the front panel along with 3 sound control knobs.
Features
The pedal does not support stereo and has no true bypass feature, though it works great as a primary distortion pedal. You can tweak the effect with 3 control knobs: Distortion, Filter, and Volume.
MXR M75 — The Essentials
Design
The pedal packs a sturdy metal casing made in elegant silver color. It keeps things traditional with elements’ placing: there are mono input and output jacks on the sides of the casing, and the front panel has a footswitch, an LED, and five sound control knobs.
Features
There’s still no stereo feature, but the M75 does have a true bypass for the clear tone when the musician doesn’t need the pedal to work. The LED on the front panel signals the working state of the device. The user can also tweak the intensity of the effect with Output and Distortion knobs, and use Bass, Mid, and Treble controls to get the tone just the way they like.
MXR M104 — Classic 70s Distortion
Design
M104 shares the design aesthetic with the M75 model. The controls are on their usual spots — audio jacks being on the sides, and a footswitch and control knobs on the front. This one comes in a more playful yellow though.
Features
The pedal takes a bit more minimalistic approach to the sound, taking away the true bypass features and stereo sound. There is a single footswitch to turn the effect on and off, and a LED that indicates the working state. The user is offered only two options to tweak the tone using the Output and Distortion knobs.
MXR M116 — A True Powerhouse
Design
Here we have nothing to brag about in terms of looks — a simple grey rectangular shape made of metal, where the sides are housing input and output jacks, and the front panel holds a usual array of footswitch, LEDs, and 6 sound knobs.
Features
This one has no stereo either. But it makes up for it by allowing the user to have a greater control over the sound with the help of adjustable frequency control. They can be changed with the knobs in the lower row: Low, Mid, and High respectively.
MXR M115 — No Surprises
Design
Another rather simplistic product. Apart from the bright red color, Harmonix there is actually nothing that stands out: the casing is made out of metal, with all of the controls and ports in their usual places.
Features
There are single input and output jacks on the M115, meaning that the pedal does not support stereo output. The tried and tested footswitch is here right beneath the LED to signal the operational state of the device. To tweak the effect, the user is offered three sound control knobs: Output, Distortion, and Tone.
Electro-harmonix Sovtek Deluxe Big Muff Pi — Everything You Might Ever Need
Design
The pedal is made wider than most of its kind to house an abundance of settings it offers. Here we have a metal casing with a great combination of white sides and a black front panel with red accents.
Features
The pedal does support stereo output thanks to the added audio jack. The pedal is great for many genres from blues to grunge. To control the sound, the user has quite a few knobs to work with: Volume, Sustain for the intensity, Tone for the brightness of the effect. In addition, there is an Attack that gives expressiveness to the notes, Gate to block out the noise, Bass Boost for lows, a Mids control section, and a High/Low switcher. The cherry on that cake is a true bypass footswitch.
Electro-Harmonix Nano — A Much Simpler Option
Design
Electro-Harmonix Nano has a rigid metal build, painted in white color. The mono input and output jacks are on the sides of it, and the front panel houses a footswitch, an LED, and three sound control knobs.
Features
The pedal supports a true bypass, giving the user no tone discoloration when it is not used. To adjust the sound the user is given three knobs: Volume, Sustain to tweak the intensity of the effect, and Tone to make it brighter.
Fender Pugilist — For Those Who Like Experimenting
Design
The metal chassis is made out of textured metal. The color of the casing is gold. The device is quite wider than a usual pedal design, but the placement of the control elements is quite traditional. The audio jacks are on the sides, and the front panel houses the footswitch in its lower part and sound control knobs on its top portion.
Features
The killer feature of this pedal is dual gain engines, which allow the user to control the tone of two channels separately. There is also a Blend control to mix dry and affected signals and separate control knobs for channels.
KMA Wurm — It Has the Looks
Design
The pedal packs a unique metal casing, painted in white with a worm-like creature painted on the front panel. The input and output jacks are on the sides of the device, with a footswitch and six sound knobs being on the front. To add a little more to the design, there are five LEDs around the worm’s mouth.
Features
The pedal produces a harsh effect that suits the metal music greatly. It is only stereo, and there is not much to talk about the tone control: there are Volume and Distortion intensity controls, and four knobs to tweak the high, low, high mid, and low mid frequencies of the effect.
EarthQuaker Gold V2 — It Doesn’t Get Simpler Than That
Design
In terms of the design, the shape is usual for that type of device. The casing is built from metal. housing the audio jacks on the top, and the sound controls on the front. The style of the pedal is called Acapulco Gold with engravings made in black.
Features
The pedal is focused on providing the simplest experience possible: so there’s no stereo sound, and nothing to talk about in terms of the effect controls. There is a footswitch for turning the effect on and off, an LED that indicate
Walrus Audio Iron Horse V2 LM308 — Thick Distortion
Design
The metal chassis has no surprises in terms of build, but the design here is quite interesting: the artwork is done by Adam Forster featuring a new battle-ready Stallion cloaked in armor. Audio jacks are on the sides, and the front panel houses a footswitch, an LED, and three sound knobs.
Features
This pedal does support true bypass so that the guitar tone acquires no discoloration when the distortion isn’t used. The user can tweak the effect using three knobs: Level to control the output, Tone to adjust high treble frequencies, and Distortion itself. The switch on the left from the LED lets the user change modes and choose between different distortion compressions.
KHDK Dark Blood — Distinct Amp-Like Sound
Design
The chassis is made of metal and painted in black with a red design. This time the input and output jacks are on the top portion of the pedal beside the power connector. On the front panel, we have a footswitch, two LEDs, Hi/Lo switch, and four adjustable knobs.
Features
There are four sound control knobs on the pedal: Gain adjusts the gain of the circuit, Doom tweaks the pre-distortion equalization, Volume controls the output, and Treble adds a passive low-pass filter. The user can also use the Hi/Lo switch to choose between a pick-sensitive and dynamic tone or a massively overdriven one.
TC Electronic Eyemaster Metal Distortion — Nothing to Brag About
Design
The pedal features a rather strict boxy design painted in solid black. The only other design features are the red accents, stating the controls and the model name. There are only two control knobs, a footswitch, and an LED indicator. The audio jacks are on the top of the pedal. The build material is metal, as usual, giving the device the required sturdiness.
Features
The manufacturer clearly aims at delivery features that matter and nothing more. There is a true bypass, and only two sound knobs: one controls the Volume and the Gain tweaks the intensity of the distortion. The simple LED signals the operation state of the device.
Diezel Herbert — Ground-Shaking Tones
Design
Here we have a vintage-inspired stompbox design. The pedal houses three rows of sound controls knobs, two footswitches, and four audio jacks, and a power outlet. The casing is simple black and grey and made out of metal.
Features
With its four audio jacks, the pedal allows for both dirt and amp connection. There are plenty of sound controls as well: Midcut Master for volume adjustments with the mid-cut setting; Midcut is off; Gain for the amount of gain of the pedal; Treble, Middle, Bass for the EQ control; Presence for high-frequency adjustment; and Deep for controlling ultra-low frequencies.
Buyer’s Guide
There is no single right way to choose the best distortion pedal since they are all different and cater to different user categories.
But we still can single out the points to look for when shopping for a pedal.
Those points can give you a better idea of what the pedal has to offer.
Here are those points:
Sound quality. The sound is a subjective matter, so you will never know if you like the sound of a particular pedal from a written review. Listen to the audio samples or go to the store and test the overdrive pedal yourself — this way, you know what you will be buying for sure.
Power connection. Most of the pedals require 9V power adapters, and they do not come included in the box. Some may require higher voltage as well. Some even work from a battery. So, when looking at a product, make sure that the power supply comes included, or purchase it separately if you haven’t already.
Distortion control. Distortion pedals vary a lot in terms of the sound controls. The most primitive ones allow you to tweak the volume and the intensity of the distortion, others let you tweak gain, expressiveness of the tone, and even tinker with high and low frequencies. Make sure that you get what you need here.
Conclusion
So here are some of the best overdrive pedals that you can buy right now. Most of the products offer pretty much the same features, but it is the details you need to look out for to choose the device that will work best for you.
There is no need to pay a lot of money for a pedal that can do everything if you don’t need it to do everything. Since the quantity does not always mean quality, you might be better off choosing a product with less control over the tone, but that produces good sound nonethelessHarmonixtweak
On the contrary, the large number of features can help you with your style of playing and support your creativity.
Good luck shopping!
FAQ:
Boss DS-1: Does the pedal need to be plugged into a wall outlet?
TC Electronic Dark Matter: Is this pedal good for blues?
Mesa Boogie THROTTLE BOX EQ: Does this pedal work for metal or classic rock?
Wampler Sovereign V2: Mine did not come with a power supply cord. why?
Pro Co RAT2: I’m looking for a distortion/overdrive that isn’t so “fuzzy.” Something with good gain but won’t make my guitar sound muddy and out of tune. Help!
MXR M75: I have a mxr fullbore metal. too much gain and not enough clarity…how does this pedal compare for playing metal?
MXR M104: Why do some of these use a female adapter and some use the 1/8” phone jack adapter?
MXR M116: How does this pedal sound?
Electro-Harmonix Sovtek Deluxe Big Muff Pi: Does the pedal come with a power supply?
Electro-Harmonix Nano: How many m-amps does this thing pull?
Fender Pugilist: Is this the mgt-la or mgt?
KMA Wurm: How does it differ from an original HM-2 pedal?
EarthQuaker Gold V2: How does this pedal sound?
Walrus Audio Iron Horse V2 LM308: Will this pedal deliver down-tuned Hardcore death metal sounds like an obituary, six feet under, and massacre? I’m playing on a 100-watt solid-state amp us
KHDK Dark Blood: What kind of power supply does it use?
TC Electronic Eyemaster Metal Distortion: Can I use it with bass?
Diezel Herbert: Would this pedal still have the Diezel VH4 3rd channel sound if it was run through a solid-state amp?
Can you sing with distortion pedal?
Can you put distortion on a bass?
You can use distortion on both electric and acoustic guitars as well as other instruments like keyboards and drums. When used properly, it can add lifeblood to your music while enhancing its overall appeal. Be sure to experiment with different settings and tweak them until you find the perfect tone for your particular situation/song/session.
Can you stack distortion pedals?
If you do decide to stack them, try to stagger the intervals between pedals so that they are not producing total overwhelm sound. And if possible, use a pedalboard protector or ground wire so that static electricity doesn’t cause havoc on your equipment.
Can you use a compressor with distortion?
Can you use a distortion pedal as a boost?
Another type of distortion pedal is called a fuzz pedal. It creates an excessive amount of harmonic frequencies, which can give your instrument a harder rock sound or add grit to your clean vocals and acoustic instruments. This effect mostly works with electric guitars and basses, but there are some exceptions for other genres such as bluesy rhythm sections in metal bands or distorted leads on keyboard compositions
A final type of distortion pedal is the wah Wah Pedal, which uses two bandpass filters to create unusual sounds reminiscent of classic jazz saxophonists like Sonny Rollins and John Coltrane. These effects work best with brass instruments (such as trumpets), woodwinds (such as flutes), keyboards/synths, electric pianos/keyboards synthesizers melodicas acousticas etc…
Difference between distortion and fuzz?
Difference distortion and overdrive?
How distortion pedals work?
There are different types of distortion pedals available on the market, each with its own unique capabilities and sounds. Some pedals offer more variety than others; for example, some will let you create both warm distortions as well as harsher tones. Experiment with various settings until you find what works best for your playing style!
