This pedal really is a versatile pedal with so much to offer. I went through so many pedals and finally landed on this and I could not be happier: totally recommend the Proco Rat 2 .
For every gig, whether it’s rock, blues, punk, or jazz, the RAT2 will be your go-to distortion pedal. All other distortion devices are judged against this norm. It has influenced the tone of some of the most important bands in the last three decades, according to thousands of recordings.
The RAT2’s adaptability is what makes it so appealing. It’s great at arena rock rhythm tones and soaring leads because it’s used as a primary distortion. At the gig, do you have a loud amplifier with too much headroom? Your filthy channel should be RAT2. Maybe distortion is something you really enjoy. Use the RAT2 to get that extra boost you need for solos.
The volume control allows you to dial it in just perfectly against your bypassed clean tone, and the distortion dials in the perfect amount of gain from mild overdrive to full out fuzzy assault.
I’ve been on the hunt for the ‘end all be all’ distortion pedal for my board, and I think this is it for me. After going through countless other gain pedals and OD combos, I decided to give this one a shot and am pretty pleased with it. It’s got a useable function pretty much any way you set it, depending on your rig of course. I particularly like it with the distortion set to about 2 o’clock, Filter at 9, and level to taste. Plus it stacks well, which is always a plus. For the price, it’s hard to beat!
It has a great, gritty rock tone. Think old school. It has a very unique distortion character though. I honestly was surprised at how unique this sounds. In a day and age where every other player sounds the same, this helps you stand out just a tiny bit more. I took one star off because the click of the stomp box is SUPER loud. Maybe it’s just because mine isn’t broken in yet, but it’s way loud. Like, smacking the stage with a baseball bat. So when you have a quiet moment, and tap this thing people front of house will know. (I’m comparing to something like my TC delay, that is smooth as butter).
Benefits Proco Rat 2
I own or have owned plenty of distortion boxes over the years, all the way back to the DOD FX56 American Metal I picked up in a pawn shop back in ’90. The ProCo Rat is the absolute best of them all. Kicking myself for not getting one sooner. The crunch is tight and controlled, simple 3 knob setting, works great with the OD in front or after and plays well with the Big Muff Pi in my chain. Other distortions have not been as friendly with the stacked gain boxes in the current signal chain.
- That boost and grind that the Rat had years ago is still alive today.
- Works for guitar or bass.
- Add some reverb or delay for Dave Gilmour epic lead tone.
- Built like a tank.
- From overdrive to fuzz, this thing is one of the most satisfying circuits to play through.
- Gritty dirt, droney fuzz, and with a tube screamer it tightens up nice as well!!
- This pedal is very bright, but easily tamed by turning up the filter knob.
- Works great with other pedals.
I am able to get blistering, harmonically saturated metal all the way down to bluesy ZZ grit. Others have said it is not that versatile, and as a standalone that may be more true, but I stack gain and use EQ to shape my sound more precisely.
Given the reputation this pedal has with hard rockers, I was expecting an absolute brute of a dirt box; a proverbial wall of musical sound and fire breathing distortion. In other words, something completely over the top, not unlike a Triple Wreck or, dare I say; Metal Zone.
Imagine my surprise when I unbox a controllable overdrive, it’s domesticated, even civilized. That’s not to say it isn’t capable of scorching hot drive, but it’s not quite as intense as one would expect. It’s a simple pedal, and yet it isn’t. You have 3 controls; Distortion and Volume are self-explained, but he Filter control adds an element that is rarely seen on pedals this cheap. There is no bad setting for the Filter, it’s simply to fine tune the high-end frequencies. It will let you dial your tone, but it won’t let you go crazy, and I think that’s very important.
The tone itself has a mid hump, which many traditional players of the blues and classic rock variety will enjoy, this is also great for lead work. It gets even more complex when we get to the Distortion setting. Don’t let this fool you, this is an Overdrive through and through, it’s touch sensitivity, although not astonishing by any means, holds its own against Blues Drivers and Tubescreamers. Unlike any overdrive I’ve played, however, this pedal will get to fuzz territory, ever so slightly, when completely dimed.
This fuzz, mixed with the Filter control, gives you a variety of choosing between an almost Muff-like sound (minus the insane mid scoop) and a simple Tubescreamer. Truly worth it’s weight. And speaking of weight, you will not destroy this pedal. I dare you to even try, Boss pedals have nothing on the sheer heft of this behemoth. Overall; this pedal goes beyond what a lot of simple drive pedals do without being complex or expensive.
This pedal has a nice distortion tone but I was really hoping for a bit more dynamic range and maybe a touch quieter. But this for sure covers any heavier genre and sounds really good doing it.
Buy If: You want a classic rock sound You need an OD that can do Fuzz You are rough on your pedals Pass If: You want a more transparent OD You want a heavy distortion You want an extremely sensitive OD.